![]() ![]() Battle Mode is the best because it's not so much about winning as it is chaos, and as such you can still lose while feeling like a winner, especially when you screw things up for whoever's in first place (even better if that person is Kevin).įavorite Character: Yoshi, light blue if possible, thank you.įavorite Course: Mount Wario. You can be very good at Battle Mode or very bad at-likely, you will be both, swapping intermittently on a game-to-game basis-but regardless, you are still a weirdly cheery angel of death, raining merciless turtle-shaped hellfire on your foes, a thing that is tremendously satisfying even if you never actually hit any of them. How the people behind *Mario Kart *ever came up with Battle Mode, I can't possibly ever guess, but for decades now there has been a widely accepted form of video game where cartoon characters drive tiny cars collect weaponized banana peels and turtle shells, and proceed to blow each other to hell. Racing is nice, but Mario Kart is meant to be played in Battle Mode. Mushroom Kingdom has airports? Is there some kind of Super Mario TSA? Is flying cheaper than traveling by pipe? It makes my head spin, man. In 50 years, when we’re all living in a Blade Runner dystopia or whatever, I’m sure I’ll still be cursing under my breath as Kevin lobs another goddamn red shell at me in Mario Kart 27.įavorite Character: One of the tiny Koopas, preferably one with poofy hair, like me.įavorite Course: Sunshine Airport, because it turns the Mario Kart universe upside down. Mario Kart may be the ultimate "if it ain’t broke, don’t fix it" game. And just last week, I got my ass kicked over and over again in Mario Kart 8 Deluxe, to the delight of my cackling colleagues.Īnd after eight installments over 25 years, it’s still a game my dad would love! The mechanics have changed a little-I’m still wrapping my head around advanced tactics like drifting-but I’m amazed that Nintendo has successfully sustained the pick-up-and-playability of this series. In college, I dabbled in the hangover-generating meta-game my friends called Beerio Kart. ![]() As a kid, I battled my way through the Special Cup (and threw my controller after a disastrous first run on Rainbow Road). What other series could inspire that level of passion from two totally different generations? Mario Kart is the rare video game that’s fun at basically any age. Nintendo understands that multiplayer games are always better with a little chaos, when there’s a chance for the underdog to sneak ahead with a little last-minute luck and the right combination of power-ups. Always occupying the first-place position? (God, story of my life.) You’re always one blue shell away from losing that victory. If you’re a bad Kart player, the game’s catch-up mechanic will gift you with better items and even speed you up a tad. Still, in a world where playing video games against other humans is becoming more competitive and more serious, the Mario Kart series-from its SNES origins to its current Nintendo Switch version-has always been about equalizing talents. Certainly ill-advised would be arguing that every game in the series is even more fun while drunk (seriously kids: don’t drink and drive). It would be arrogant to talk about how the game’s controls feel like second nature (but really: they do). Listen, I’m not here to brag about how good I am at Mario Kart (but for the record: very good). ![]() Favorite Course: Rainbow Road, mostly for the theme song. ![]()
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![]() The speaker on the Lenovo Thinkpad T490 may have a high static hissing noise, which does not change if you lower the volume, but stops if you mute the speaker or use the headphone jack. Solution 3: Reset your Lenovo PC to factory settings. Some ideapads have a Novo button that can be used to get to the BIOS or recovery mode. Solution 1: Power Reset Your Lenovo Laptop. Version 2004 of Windows 10 has been dogged by a series of problems since it was first made available for public download. From $844 at the power button of the computer.
![]() ![]() John keeps his misgivings to himself to please his desperate-for-a-baby wife. And chef Laura (Hall) just melts for her, heedless of the dangers in putting their last egg into somebody whose beau does too much speaking for her and seems too eager to pass himself off as her pimp in this arrangement. “I’ve never been able to give anybody anything!” she gushes. He’s a high-end corporate attorney who senses something predatory in the guy, and a little too goody-two-shoes about the young woman. Something about Anna (Sinclair) and her boyfriend (Theo Rossi) gives John Taylor (Chestnut) pause. It’s derivative and obvious, downright risible as it portrays Screen Gems’ go-to affluent hunk, Morris Chestnut, manfully resisting the frank sexual advances of the possibly dangerous and unstable surrogate (Jaz Sinclair) he and his wife (Regina Hall) have hired to carry their “last viable embryo” to term.īut from its New Orleans mansion and penthouse office suites, to its Mercedes and parties packed with haute couture glamour, it presents a vision of African American aspiration and achievement that Hollywood generally ignores. “When the Bough Breaks” does for surrogate mothers what “The Hand that Rocks the Cradle” did for nannies, and does for another character what “Fatal Attraction” did for bunnies. But they share a sheen, a polish and a beauty that puts Tyler Perry’s similar ambitions to shame. The films may not have African-American directors or screenwriters, and some suffer a tone-deafness because of that. The studio, which gets by on random horror hits and the occasional franchise (“Resident Evil”) has made glossy African American comedies (“This Christmas”, “The Wedding Ringer”), romances (“Not Easily Broken”) and thrillers (“Obsessed,””No Good Deed”) its low-risk/high-return bread and better. Take a look at the new trailer from Screen Gems' When the Bough Breaks, as we get closer and closer to this fall release.If college cinema professors aren’t teaching “The Screen Gems View of Urban Affluence and its Impact on African American Aspiration,” then somebody is seriously missing the mark. We'll have to wait and see if When the Bough Breaks becomes a big hit at the box office in the fall months. Morris Chestnut currently stars in the new Fox series Rosewood, while Regina Hall most recently starred in the comedy sequel Barbershop: The Next Cut. He most recently has directed episodes of 24: Live Another Day, Between and Wicked City. ![]() Jon Cassar is best known for his work on 24, with this thriller marking his first feature directorial outing since 1998's The Ultimate Weapon starring Hulk Hogan. Jon Cassar ( Forsaken) directs When the Bough Breaks from a script by Jack Olsen ( Sleepwalker). It will also go up against Magnolia's Author: The JT LeRoy Story, Cohen Media Group's Come What May, IFC's Dancer, The Orchard's Demon, Focus World's Kicks and Independent's Other People in limited release. true story adaptation Sully and Lionsgate's animated movie The Wild Life. Sony Pictures has set a September 9 release date for this thriller, putting it up against Relativity's thriller The Disappointments Room, Warner Bros. The supporting cast is rounded out by Theo Rossi, Christina Bach, GiGi Erneta, Michelle DeVito, Boyana Balta, Justin Lebrun and Jeff Caperton. The couple becomes caught up in Anna's deadly game and must fight to regain control of their future before it's too late. After exhausting all other options, they finally hire Anna ( Jaz Sinclair), the perfect woman to be their surrogate - but as she gets further along in her pregnancy, so too does her psychotic and dangerous fixation on the husband. ![]() ![]() This new trailer, which debuted on Sony Screen Gems' Youtube channel, focuses on John and Laura Taylor ( Morris Chestnut and Regina Hall), a young, professional couple who desperately want a baby. This could be one of the most chilling thrillers of the year, and it may have couples seeking surrogates reconsidering adoption or other methods of bringing a baby into their lives. We haven't heard anything about the movie since then, but with the September 9 release date getting closer and closer, the studio has rolled out a second trailer with even more new footage. 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![]() ![]() The Joshua Tree tours, both past and present, offer U2 an opportunity to treat them as bookends: The fire that fueled young U2's call to action hasn't gone out, but it smolders under the surface in a way that comforts the listener instead of challenging them, which only disappoints because it feels like a compromise. ![]() "Sunday Bloody Sunday" struck a painfully relevant chord then, just as it does now.Īnd though "Sunday Bloody Sunday" made for a rousing kick-off, the rest of their Joshua Tree set didn't quite conduct the intensity of these times into electric moments that inspire the kind of resistance it had in the past. U2 succeeded in driving home a sentiment that hasn't lost its strength in the lifetimes lived since the first Joshua Tree tour: The more things change, the more they sadly stay the same-and how long must we sing this song begging people to stop killing each other, already? Though the first Joshua Tree tour was mounted under the Reagan administration and their native Ireland was deeply entrenched in the Troubles, that tour plowed through its itinerary as the headlines screeched of casualties of wars that weren't theirs and the political zeal of conservative administrations doing more harm than good. In front of nothing but their crowd, U2 acted and sounded less like an arena-filling act and more like their scrappier former selves, older bodies housing the same souls that roared through "Sunday Bloody Sunday" 30 years prior in an equally infuriating context-a tight, small outfit that could take on the world by posing a simple question. U2 are elder statesmen at this point, and theirs are household names on a global scale thanks to their decades-spanning careers and a smattering of perennial singles that sound current in any context. The screen became another instrument in their employ, as formidable as Bono's mic or The Edge's guitar. When the Irish quartet stood in a row before a blood-red image of one of the knobby gnarls of twigs that dot the national park for which The Joshua Tree is named, it made for a potent silhouette, Bono raising his fist before they hit their marks and performed with miles of highway and the familiar desolation of the American west rolling in the background as they played the album in sequence. Later on in the set, the band would approach the gargantuan monitor and stand before it to signal a shift of power. striding out to challenge the desert sprawl projected behind them with their own wall of sound. Thanks to the screen towering four stories above them, U2, on this tour marking the 30th anniversary of the release of The Joshua Tree, appeared microscopic on their own stage-a Honey I Shrunk the Rock Stars-level tiny that had Bono, the Edge, Adam Clayton, and Larry Mullen, Jr. ![]() The first thing you noticed was the enormity of their smallness. ![]() |
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